Choir of the Camerata Antiqua of Curitiba invites wind-based Orchestra

The Orchestra À Base de Sopro and the Camerata Antiqua Choir from Curitiba will be together on the same stage, This weekend, in Curitiba. The concerts, that happen friday (23), at 8:0 pm, it is Saturday (24), às 18h30, in the chapel Santa Maria, bring songs written especially to the groups and arrangements that stand out for the originality.

This is the first meeting between Camerata Antiqua's choir and the Curitiba Bullfighting Orchestra. According to Sérgio Albach, Artistic Director of the Black Base Orchestra (OABS), The repertoire of these concerts are the result of what groups are already working. “The choir has always given rise to repertoires involving Brazilian composers and with popular characteristics, Like OABS in recent years has deepened in songs that are neither popular nor scholarly. In this program, The composers involved work with this feature ”, Remember Sérgio.

The presentations start with Henrique de Curitiba Morozowicz, with your consecrated work: Mountains, engraved in 1982 by Milton Nascimento. Following three works that form a small suite of Edmundo Villani-Côrtes; are already known works of the choir and which were expanded to the participation of the blows from the original work; are they: Blue parrot, Wheel and frevo fugato vats.

Follows a waltz by André Mehmari executed by OABS: Ride, Work dedicated to the Orchestra inspired by the Public Pass of Curitiba, that refers to the classic popular waltzes of the nineteenth century. Mehmari is a multi-instrumentalist and one of the most requested Brazilian composers of today, travel at ease in any language. Your other work that is in the program - Espírito Santo (first world hearing) It's a great example of this. In this play enters the partnership with the poet Etel Frota present in two more works of this concert: Pain, Partnership with ISO FISCHER and arrangement by Vicente Ribeiro and the legend of UAKTI (first world hearing) With David Sartori.

In the program also has a work by Gilberto Mendes, The composer most linked to contemporary music of this meeting, and known for the song “Beba Coca-Cola”, piece performed by numerous corals, brings a part to the all -unpublished orchestra of Gilson Fukushima who seized the original work for choir without accompaniment.

The concerts are striking for the meeting of the Blowing Orchestra with the Camerata Antiqua de Curitiba Choir - two groups that have gained a prominent place in the cultural scene. Despite having a long artistic trajectory, For the first time they are producing a program together. The meeting provides a grand show, that surprises with the quality and presence on the stage of about 35 singing and instrumentalist musicians.

Still for Albach, The meeting will be memorable, “In view of the partnerships carried out and the productions of unpublished works that emerged for this meeting, It is desired that this is the first of many partnerships between the Camerata Antiqua and OABS choir ”, reinforces.

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