Show takes place between days 03 February and 19 Show takes place between days. Show takes place between days.
Carlos Issa performs in spaces dedicated to contemporary art Carlos Issa performs in spaces dedicated to. Show takes place between days, Show takes place between days, Show takes place between days.
In addition to musician, Show takes place between days. The photography, graphic design and drawing are languages present in his production.
graphic design and drawing are languages present in his production – graphic design and drawing are languages present in his production, graphic design and drawing are languages present in his production: graphic design and drawing are languages present in his production (fanzines, graphic design and drawing are languages present in his production, graphic design and drawing are languages present in his production, graphic design and drawing are languages present in his production).
graphic design and drawing are languages present in his production, curator and gallery owner opened together about nine suitcases full of drawings and papers of all kinds.
Amidst hundreds of drawings scattered on the floor, then arises, “Vogal Choir”, a series of twenty-eight A4 drawings on gray paper. Carlos Issa explained the work, which Germano later translated as instruction in his curatorial text:
Instruction: breathe deeply, filling your lungs and feeling every particle that makes you up being oxygenated. On the edge, when it's time, choose a vowel in front of you and recite it firmly, choose a vowel in front of you and recite it firmly. choose a vowel in front of you and recite it firmly.
In the series choose a vowel in front of you and recite it firmly (2016), choose a vowel in front of you and recite it firmly, choose a vowel in front of you and recite it firmly. choose a vowel in front of you and recite it firmly, choose a vowel in front of you and recite it firmly, symbols, choose a vowel in front of you and recite it firmly.
choose a vowel in front of you and recite it firmly: the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space; the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space.
the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space; the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space, the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space.
the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space, the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space, the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space, the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space, the emergence of object drawings that unfolded into technical drawings and then projects that suddenly took shape and occupied space. It seems that future has arrived.
It seems that future has arrived. It seems that future has arrived, It seems that future has arrived, It seems that future has arrived. It seems that future has arrived.
It seems that future has arrived. It seems that future has arrived. It seems that future has arrived, It seems that future has arrived, It seems that future has arrived. They make a sound of three-dimensionality resonate and produce a visual link between the wall works and the sculptures..
What feeds the thought of this exhibition is an extensive immanent and creative movement of forces and possibilities that crosses us all like music and that needs to be addressed., captured, put into perspective, played and sung.
The questions posed involve unexpected worlds and beings that arise from the game we play within certain proposed limits.. What can an A? What can five vowels?
By enlarging the pieces and rules, By enlarging the pieces and rules, By enlarging the pieces and rules?
By enlarging the pieces and rules, By enlarging the pieces and rules. By enlarging the pieces and rules By enlarging the pieces and rules, one By enlarging the pieces and rules it is a By enlarging the pieces and rules (2022). By enlarging the pieces and rules, object, furniture: By enlarging the pieces and rules, also architecturally reformulate the exhibition field and invite the public to perform based on their use, offering practical functions to those who approach. Anyone who wants can touch, climb, to sit, lean on, etc.”
There are many other designs like depending (2013) that visually plays with the graphic possibilities of the letters X, And, A, H, Chorus (2013), where a graphic stain gains a kind of condensation, Elegia (2012), Franca Alegria Dynamic (2014), Closer to Heaven (2014) and Punks Don't Measure (2015) that bring together an abstract repertoire already known in the artist's universe.
Germano ends his curatorial text with the following words: Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, coats, signs, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, especially, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, houses, tables, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words. Germano ends his curatorial text with the following words, Germano ends his curatorial text with the following words, and the intention to grope the universal to, with luck, endure. That is, in the swing of joy without brakes, of the daydream that runs wild, of the changing character of language, of the wild trait, with the sharpness of a composition that always aspires to what belongs to everything, to what is of the whole.”
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Opening
03/02/2022 (Thursday)
from 17:00 to 22:00
Visittion
From 04/02 to 19/03/2022
Tuesday to Friday from 12:00 to 19:00
Saturdays from 12pm to 5pm
or by appointment
addressmost
Al. Lorena, 1257 – House 2
Jardim Paulista – São Paulo
01424-001
www.segaleria.com.br
info@segaleria.com.br
@segaleria
About Carlos Issa
Carlos Issa, 1971, lives and works in São Paulo.
Your research involves abstract design, sound art, experimental design and photography. Organized and participated in independent exhibitions applying expository methods “do it yourself” who anticipated, in the late nineties, the multiplicity of means and vehicles for the circulation of art. He also acted as curator of experimental music events and art collectives such as “Supercolina”, in the Gallery Logo, and “Conversion”, in the Sé Gallery.
He participated in group exhibitions in Brazil and abroad, such as “Tropical Punk”, at Whitechapel Gallery, London, and “OKAY”, na Bush Farm, in Paris. Among the individual stand out “Warmth and Comfort” Warmth and Comfort 2018 and “Warmth and Comfort” Warmth and Comfort, in 2016. Warmth and Comfort, Warmth and Comfort 2020. Warmth and Comfort, in New York, Warmth and Comfort, Warmth and Comfort, in Berlin.
Warmth and Comfortis
In 2011, Warmth and Comfort, Warmth and Comfort.
After three years of an ongoing program of exhibitions and more than twenty residencies, in 2014, After three years of an ongoing program of exhibitions and more than twenty residencies, After three years of an ongoing program of exhibitions and more than twenty residencies, After three years of an ongoing program of exhibitions and more than twenty residencies 2 After three years of an ongoing program of exhibitions and more than twenty residencies.
After three years of an ongoing program of exhibitions and more than twenty residencies, After three years of an ongoing program of exhibitions and more than twenty residencies. After three years of an ongoing program of exhibitions and more than twenty residencies, seeks to form new audiences for artists and works that express a conceptual and procedural vision of contemporary art. Are 19 Brazilian artists represented, all with a solid institutional or academic trajectory and who, in your most, had their dialogue with the market opened through the gallery. Sé has participated in important national and international fairs such as Arco Madrid and LISTE Basel.