Ricardo Ribenboim present in two unique moments: the rescue of the past and the creation of the new present!
Trail of Restos in the Imperial Palace || Chance in the OASIS Space
The artist Ricardo Ribenboim Displays, em dated following no cultural circuit of Rio de Janeiro, after an absence of 18 years, two solo exhibitions: “Trail of Restos”, no Paço Imperial and "Chance"on OASIS Space. Both shows are curated by Yuri Quevedo. The 120 unpublished works on display, even not presenting themselves as clippings of a whole, offer two complementary and elucidating aspects of the artist's production in recent 5 years. In "Trail of Restos”, the works dialogue with time and display the artist's awareness of the course of history, the passage of time and the finitude of things from which the possibility of transforming the whole into vestiges arises. Already in "Chance”, there is sharing by the artist, of his creative process where he resignifies fragments of old works. Ricardo Ribenboim offers the proposition of coexistence with the mutable and the uncertain, without seeking to stop the flow of events and life, but admiring them as an aesthetic force.
“In each of the spaces, the production of Ricardo Ribenboim is seen in a different light. On Paço Imperial, we have the latest investigation of the artist, that starts from traces of the past to configure the new. already in the Oasis, experimental residency space, are those works where he shares with us his work process and the obstacles to elaborating what surrounds him.”, explains the curator.
“Trail of Restos” – Paço Imperial
“From memory, Ribenboim proposes the singularity”, define Yuri Quevedo.
collecting, randomly, remains of miscellaneous materials, fragments of the ordinary, of the urban, remains of the studio, traces of his own work with memories of his trajectory, the artist faces the challenge and the need to create the new and present it in the selection of 80 works on display. While many seek to find the meaning of a cohesive whole, Ricardo Ribenboim goes against the grain and makes disarticulation its method; breaks down entire systems and analyzes them and, being the artist who “finds new poetry in what is left – that which is substantive in the trace of the remains”, says curator. The artist formulates an ecology of his own – what is left of something, can serve as support for a new reality. Here, the story is seen as a plot, in which cycles are recycled, interspersed with gaps of forgetfulness.
By building landmarks and banners with these scraps of memories, Ribenboim share with us your ethics: memory can be matter of the present as it acquires meaning in the now.
“Chance” – oasis space
In recent years, Ribenboim made the studio and the trajectory itself, a space for reflection, where your potent creative side ends unfinished objects, reanimate pieces of old works and give them new shape, new order, new significance. In 40 works selected by the curator, are the large canvases where 'sinister silhouettes try to break through the layers'. In this way “the artist shares with us the value of doing as a thought, of doing while in doubt, of doing as a process of configuring oneself and the world – and not as a terrain of definitions and certainties”, explains Yuri.
In "Chance”, Ricardo Ribenboim describe your creative process, the hardships of doing, where it rescues the kept vestiges of what things were before being articulated in new senses: his paintings look at his sculptures to transform them into images.
To Yuri Quevedo, “as in the dream, the shapeless broth of the unconscious gains substance in associations, coincidences and fittings. Indefinitions that resist being figured, then chance becomes a subject”.
SERVICE
Exhibition: Trail of Restos
Artist: Ricardo Ribenboim
Curator: Yuri Quevedo
Opening: 12 July – Tuesday – 4pm to 8pm
Period: from 13 from July to 15 August 2022
Local: Paço Imperial
Address: XV de Novembro square, 48, Center – Rio de Janeiro
Timetables: Tuesday to Sunday, from 12 18hs
Exhibition: Chance
Artist: Ricardo Ribenboim
Curator: Yuri Quevedo
Opening: 16 July – Saturday – from 17 at 9:00.
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Period: from 19 from July to 27 August 2022
Local: OASIS Cultural Space
Address: Street Buenos Aires, 168 - Center – Rio de Janeiro
Timetables: Tuesday to Saturday, from 12 to 5 pm.
The Artist – Ricardo Ribenboim (São Paulo, 1953)
Artist, graphic designer and cultural producer. From 1972 to 1975, studied architecture at the Faculty of Architecture of Santos and specialized in Corporate Image at Fundação Getúlio Vargas. He was a student of Yutaka Toyota, Evandro Carlos Jardim, Babinski, Luiz Paulo Baravelli, Carlos Fajardo and José Resende. In 1974, participated in the São Paulo National Biennial; in 2000, carried out an urban intervention on Ipanema beach during ECO-92; still in 2000, participated in the 7to Havana Biennial, do Open Air Veneza; in 2001, participated in the celebrations of 50 Years of the São Paulo International Biennial. In 1993, carried out an urban intervention in Puerto Rico during the opening of the San German Paper Museum. In 1999, presented his works in a solo exhibition at the invitation of the Kunst Raum in Berlin and, still in 1999, opened the exhibition Skin Change at Galeria Nara Roesler, in São Paulo, and the following year, the Imperial Palace in Rio de Janeiro, RJ. In 2000, made a special project for the P.S.1 Contemporary Art Center at MoMA in New York. In April 2003, opened a solo exhibition in New York, at Martinez Gallery e, in July another one at the Anna Maria Niemeyer gallery, in Rio de Janeiro, RJ.
Participation in exhibitions such as: Tradition and Disruption: synthesis of Brazilian art and culture, in 1984; City Art 3 in 1997; in 1998 and 1999 participated in the traveling exhibition Art for the World, presented in Geneva, Switzerland; New York, USA; New Delhi, India and Sao Paulo, SP among many others. He carried out several urban interventions in Brazil and abroad, highlighting the project Marine Bolides, on Ipanema Beach, in Rio de Janeiro, during at ECO-92, and a set of interventions in the project City Art 3. It has works in several public collections such as: ARTB, Buenos Aires, Argentina; Museum of Modern Art in Rio de Janeiro; Museu de Arte Contemporânea da USP, Sao Paulo and Miami's Museum of Modern Art, USA.
It was his conception of the following exhibitions: daily life/art; object years 90, curated by Lisette Lagnado, Itaú Cultural, São Paulo, 1999; daily life/art. object years 60/90, curated by Agnaldo Farias, MAM RJ, Rio de Janeiro, 1999. He was curator of the show Why Duchamp?? at the Paço das Artes, São Paulo, 1999; Frontiers Project - interventions, Itaú Cultural, 1998; art/technology, Itaú Cultural, São Paulo, 1998; Popular Imaginary, Itaú Cultural, São Paulo, 1997; Diversity of Brazilian Sculpture in the 20th Century. XX and Av. Paulista, São Paulo, 1997; Ex-Libris Home Page, Paço das Artes, São Paulo, 1996; Excess, Paço das Artes, São Paulo, 1996; The Role of Paper, São Paulo, among other.
He was co-curator in 1998 of the XXIV São Paulo International Biennial, from the Itineraries segment, not WEBart module. He was superintendent director and vice-president of the Board of Instituto Itaú Cultural de 1997 to 2002, being responsible for structuring the administrative body of about 130 people, constituted to serve all areas of expression. Creator of the curatorial axes of the Rumos Program for all areas of expression and the Itaú Cultural Encyclopedia, hosted on the institution's website. He was director of the Palace of Arts in 1996 to 1997; director of the Gema Design Office of 1986 to 1995; creator, founder and director of the School of Art of the Hebrew club of 1969 to 1972; creator and founder of the Brazilian Paper Museum in 1990, unifying its collection to MAC USP in 1993.
Participated in institutions in the role of consultant to The Museum of Fine Arts Houston for Latin American affairs; President of the Board of Instituto Pensarte; member of the boards of the Instituto Arte na Escola and the Casa de Cultura de Israel; cultural vice-president of GIFE – Group of Institutions, Foundations and Non-Profit Companies; member of the National Council for Incentive to the Culture of 1992 to 1995 and the Municipal and State Cultural Councils of 1993 to 1994. Member of the Board of the Vladimir Herzog Institute, among others.
Since 2002 is managing partner of the company Base7 Projetos Culturais, responsible for planning and designing exhibition and museum projects; was chairman of the Advisory Board of the Ink Group and the Instituto Arte + Environment. Since 2002 is responsible for articulating with the institutions that host exhibitions and for designing, planning, curatorial coordination, executive production and expography of several exhibitions held by Base7 Projetos Culturais, Culture and Entertainment Ritual and Cia das Licenses. He is a specialist in Cultural Program Management, Curatorial and Corporate Image Conception.
Or curator – Yuri Quevedo
Professor of the disciplines of History of Art in the Architecture and Urbanism course at Escola da Cidade (SP), where he is also responsible for the Museography and Architecture and Performance electives. He holds a master's degree in the History and Theory of Arts research line from the Graduate Program at the Faculty of Architecture and Urbanism at USP. (2019). He graduated in Architecture and Urbanism from Escola da Cidade. (2014). Acts as a teacher, researcher, curator, content coordinator and editor in exhibition and book projects.
