Abdul Paula stands out in the panorama of the arts as a delicate researcher and producer of his own extension. In this relentless pursuit is born, between his desire for clean colors, effects of depth and light itself, that arise through lush gestural forms, the constant themes of his works. The significant result obtained, with such mastery of colors, evoke spatial relationships and pure synthetic.
Considers that the abstraction beyond technical composition in textures, harmonization of colors and adding alternative materials, results in the triumph of the symbol of intuition, the color, of illusion and emotional exploitation. Of formative incursion in drawing 1989, fell in love with the abstraction and has since maintained a progressive production and up.
Admirer of Tomie Otake, Jacson Pollock, among others, believes that the simplicity of the elements and the proposal aims to make the abstract personal and unique. The trajectory of his work one can realize that to build yourself your way, approached the skill and mastery of the designer with the creative artist. End of individual and collective exhibitions, they say very happy with the incantation that each new series developed produces.
“Marchand. Glaucia Regina Harsh Shah”
Where did you born? And what is your academic training?
I am from Sao Paulo – Capital, I majored in advertising Design at design school Cândido Portinari.
I worked as a teacher for four years at the same school. I worked in Advertising Agencies as an illustrator, design and creation.
How and when you give your first contact with the Arts?
By great interest I started with screenprinting specialized for four years.
Developed designs for motorcycle assemblers and apparel from big brands.
How did you find this gift?
I found my artistic production facility in drawing school Cândido Portinari. Consider the SUBJECTIVE GIFT.
I define as more or less easily. The study and relentless pursuit, dedication and focus “TRANSFORMS AND FORMS, THE ARTIST, EVERYONE CAN BE AN ARTIST.”
What are your main influences?
Main references in the area of construction drawing (Jayme Cortez, José Benício, Candy Andreato, Ziraldo, Antonio Peticov, Enter other).
In deconstruction abstraction of Tomie Ohtake, Manabu Mabe, Jackson Pollock, Mondrian among others…
What is your creative process itself? What inspires you?
Looking for have multiplicity in my work through the figurative and abstraction always produced in sets of six or more pieces for more argument and language to the observer.
THEME search process initial inspiration creation, research material, graphic composition and formatting of the works.
Consider a moment of greater research attention to a natural unfolding of the later stages of the work.
What materials do you use in your works?
Use and application technique with different materials acrylic paints, oil, Automotive, resins, varnishes. Application of metal textures, leather, tissues, patchwork, buttons, wires… as the work proposal.
When you started effectively to produce or create your works?
Beginning my career in abstractionism in 1988 with many formal and gestural influences as Tomie Ohtake, Jackson Pollock, Mondrian, Ianelli among others.
I have a real fascination with the abstract where looking for a result that evokes special synthetic and pure relations, resulting in the triumph of the symbol of intuition, the color, of illusion and emotional explosion.
The simplicity of the elements and the proposal aims to make the abstract personal and unique.
I'm looking for my way closing skill of the designer with creative arts and intense.
What does art mean to you? If you were to summarize in a few words the meaning of Arts in your life…
Art is my breathe, I'm all the time creating and inventing new themes and paths. Art transforms the humanity, in hopes of better days.
What techniques do you use to express their ideas, feelings and perceptions about the world? (Whether it is through painting, sculpture, drawing, collage, photography… or uses several techniques in order to make a mix of different art forms).
I call this Plastic Mix, I believe that the artist has to go through numerous experiments in techniques and possibilities.
Use and dare in research of various materials! year, tissues, patchwork, resins, collages…
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Art is an intellectual production exquisite, where emotions are embedded in the context of creation, but in art history, we see that many artists are derived from other, following technical and artistic movements through time, you own any model or influence of any artist? Who would be?
I had Many mentors and teachers in my path, I'm a product of the study, I had contact with great masters like Jayme Cortez, Ziraldo.
Carmela Gross, Leda Catunda, Arnaldo de Mello among others… Many art workshops on Oswald Andrade in Sao Paulo.
You have another activity beyond art? You give lessons, lectures etc.?
Mentor and creator of HALFTONE ATELIER art school STUDIO in Curitiba – PR. She's as artistic training profile in various areas such as jewelry, Sets, Among other editorial.
Participate in lectures and workshops in schools and cultural centers of the country.
Its major national and international exhibitions and their awards?
Over 30 exhibitions on career today I own my own gallery, the ART GALLERY PLURAL.
Your plans for the future.
Many projects for the future and one in particular a dream of a broadcast television programme, giving opportunity for artists to show and talk about their work and projects, I believe that the Union of the artists makes a difference.
Address: Plural art gallery – Av. Cândido de Abreu 469 – 1701 – Civic Center – Curitiba – PR.
E-mail – alexandreartistaplastico@hotmail.com
WebSite – www.artesalexandredepaula.com
Facebook Fan Page – facebook.com/abstracionismo
Facebook Profile: facebook.com/alexandredepaula.art
Cell phone: 41 – 96182968
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EDMUNDO CAVALCANTI
São Paulo – Brasil
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Columnist at Website Obras de Arte
E-mail: cavalcanti.edmundo@gmail.com