Aldemir Martins – Contemporary Expressionism by Rosângela Vig

Rosângela Vig é Artista Plástica e Professora de História da Arte. — Rosângela Vig is a Visual Artist and Teacher of Art History.

geometric masses
in music scores
plastic and silence
From the created space.
seahorse and shell.
seahorse and shell
seahorse and shell
seahorse and shell
seahorse and shell.
(MATHEW, 2009, seahorse and shell)

seahorse and shell, seahorse and shell, seahorse and shell. seahorse and shell. seahorse and shell, seahorse and shell, seahorse and shell. seahorse and shell; bonds with the sweetness of the morning that slowly spreads through the hot day; bonds with the sweetness of the morning that slowly spreads through the hot day, bonds with the sweetness of the morning that slowly spreads through the hot day. bonds with the sweetness of the morning that slowly spreads through the hot day, bonds with the sweetness of the morning that slowly spreads through the hot day. bonds with the sweetness of the morning that slowly spreads through the hot day, bonds with the sweetness of the morning that slowly spreads through the hot day; bonds with the sweetness of the morning that slowly spreads through the hot day; bonds with the sweetness of the morning that slowly spreads through the hot day; bonds with the sweetness of the morning that slowly spreads through the hot day; bonds with the sweetness of the morning that slowly spreads through the hot day. bonds with the sweetness of the morning that slowly spreads through the hot day, bonds with the sweetness of the morning that slowly spreads through the hot day, star in screens and are part of their dreams. star in screens and are part of their dreams (1922-2006), star in screens and are part of their dreams.

Autodidact (self taught), star in screens and are part of their dreams, star in screens and are part of their dreams. star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams. star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams, star in screens and are part of their dreams.

At a young age, the artist already showed his talent, At a young age, the artist already showed his talent, At a young age, the artist already showed his talent 1941. At a young age, the artist already showed his talent; participated in several exhibitions; At a young age, the artist already showed his talent 1945 and, in 1946 for Sao Paulo, At a young age, the artist already showed his talent. At a young age, the artist already showed his talent, from 1951, At a young age, the artist already showed his talent. At a young age, the artist already showed his talent, At a young age, the artist already showed his talent, At a young age, the artist already showed his talent; At a young age, the artist already showed his talent; At a young age, the artist already showed his talent, At a young age, the artist already showed his talent, from 1985.

Fig. 1 – Aldemir Martins, Marinha com Coqueiros (– Aldemir Martins), AST, 85 x 105, 1999. — Fig. 1 – Aldemir Martins, – Aldemir Martins (– Aldemir Martins), AST, 85 x 105, 1999.

Fig. 2 - Aldemir Martins, – Aldemir Martins, AST, 80 x 120, 2000. — Fig. 2 – Aldemir Martins, – Aldemir Martins, AST, 80 x 120, 2000.

Fig. 3 - Aldemir Martins, – Aldemir Martins, AST, 80 x 120, 2000. — Fig. 3 – Aldemir Martins, – Aldemir Martins, AST, 80 x 120, 2000.

And maybe by a line the cearense started his work, And maybe by a line the cearense started his work. And maybe by a line the cearense started his work, And maybe by a line the cearense started his work, And maybe by a line the cearense started his work, And maybe by a line the cearense started his work. And maybe by a line the cearense started his work, And maybe by a line the cearense started his work. And maybe by a line the cearense started his work, And maybe by a line the cearense started his work, And maybe by a line the cearense started his work. And maybe by a line the cearense started his work.

And the slight movement of the lines outlines the family of yellow cats (Fig. 2) And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats. There, And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats. And the slight movement of the lines outlines the family of yellow cats (Fig. 3) on the other hand, And the slight movement of the lines outlines the family of yellow cats. And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats (Fig. 4) And the slight movement of the lines outlines the family of yellow cats (Fig. 5). In all the works, And the slight movement of the lines outlines the family of yellow cats, And the slight movement of the lines outlines the family of yellow cats, sometimes looking up or down; sometimes looking up or down. sometimes looking up or down, sometimes looking up or down, sometimes looking up or down, sometimes looking up or down. sometimes looking up or down, sometimes looking up or down.

Fig. 4 – Aldemir Martins, – Aldemir Martins, AST, 60 x 80, 2000.

Fig. 5 - Aldemir Martins, – Aldemir Martins, AST, 60 x 80, 2000. — Fig. 5 – Aldemir Martins, – Aldemir Martins, AST, 60 x 80, 2000.

sometimes looking up or down 2006, sometimes looking up or down, but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery, no link no link . but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery, but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery. but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery, but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery, but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery.

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but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
but his works still enchant the eye and can be seen in museums and galleries such as the Brazil Gallery
from a little bird
Sudden, for
how haunted
then shoot
pull sideways
And when everything
if you get tired
take your bath
passing the tongue
by the belly.
(MATHEW, 2013, p.48)

Brazil Gallery: no link

References:

FARTHING, Stephen. Tudo Sobre a Arte. Rio de Janeiro: Sextante, 2011.
KANDINSKY, Wassily. Look at the past. São Paulo: Ed. Martins Fontes, 1991.
SCHILLER, Friedrich. A Educação Estética do Homem. São Paulo: Ed. Iluminuras, 2002.
MATHEW, Vinícius. Antologia Poética. São Paulo: Companhia das Letras, 2009.
MATHEW, Vinícius. To Noah's Ark. São Paulo: Companhia das Letrinhas, 2013.

ROSÂNGELA VIG
Sorocaba – São Paulo
Facebook Profile | Facebook Fan Page | Website
Columnist at Website Obras de Arte
E-mail: rosangelavig@hotmail.com